Moved by Art — Nomadic, Outdoors and On Tour

Pinellas artists achieve success with creativity in motion.

The dynamics of art in our postmodern society are uniquely varied. Our local art community is blessed with an enormous amount of opportunities within very eclectic art circles and galleries, especially in the seven collaborative districts of St. Petersburg.

A growing number of creative organizations are mobile and providing art that travels to you and not vice versa. This isn’t just happening at the installation level (though there are pieces that actually have locomotion or trigger sensors) but also by relocating at various Pinellas destinations and beyond.

Letäó»s start with world renowned Tampa-nativeŒæsculptorŒæJanet Echelman, best known for her otherworldly aerial nets that transform with wind and light. The art literally moves in its grandiosity, changing from being just a mere object to look at to a living environment you can get lost in. Her TED talk äóìTaking Imagination Seriouslyäó has been translated into 34 languages with more than one million views. The city of St. Petersburg has agreed to bring one of her seven-figureŒæsculpturesŒæto the new Pier District.

Carrie Boucher’s NOMAD Art Bus

By contrast, Carrie Boucher’s NOMAD Art BusŒædemocratizes art through mobility. Her ever-popular transport invites children and adults to create art projects both inside and on it. Boucher outlined some challenges and advantages to going mobile with art:

“Being mobile allows us to meet participants where they are, and the fact that our vehicle is a 34-foot bus allows for flexible use of the interior for storage and classroom space, and the area around the perimeter of the bus becomes extended instructional space as well. Also in regards to its size it is quite a presence when weäó»re on site. It calls people to participate.

“There are some challenges as well, of course. We are truly nomads, so we donäó»t have a physical address, or a äóìhome baseäó, which means our parking options rely on the generosity of the community. We have been fortunate in this area, and it keeps us humble. Weäó»ve also been fortunate in regards to volunteers, we have nearly 100 active members of our street team, mostly from around St. Petersburg, but it can be challenging to get volunteers to travel when we do an event that requires crossing a bridge or getting on a highway. Another challenge is logistics: finding space for the bus at outreach sites and at events. Getting this big vehicle in and out of tight spaces can be a challenge and takes a lot of teamwork, but we see the benefit of providing this beautiful, joyful art experience far outweighs the time and energy that goes into addressing these challenges.”
An Urban Conga Installation

The Urban Conga,ξfounded by a local group of designers who took their architectural thesis to the next level, developing it into an award-winning design firm. Their main move: bringing interactive, recreational installations to a variety of public and private spaces, sparking activity, creativity, exploration and, bottom line, making people play.

Also, Urban Conga promotes free-choice learning, because self motivation is key, and a better urban environment in general, with fresh aesthetics and a modern functional approach. The organizers studied how humans tend to break their toys, so they figured out how to make their installations withstand a lot of abuse; they are very sturdy and their functionality prevails. Also UC focuses on creating conversation to ease the tension and allow folks from all types of backgrounds to interact with one another, so this is also art that moves you on a psychological level. ξTweet the Urban Conga or email them or go through their awesome website;ξthey are very responsive.

Jack Kerouac mural at the Flamingo Bar

Since Jack Kerouac lived out his final days on 5169 10th Ave. N., the Beat icon has been a favorite topic among local literati, with mentions of his adopted St. Petersburg hometown in of his works. Since then a multitude of literary events have sprouted around the iconoclast and his average block house, soon to be a museum.ŒæEvents have been presented with the help of Friends of the Jack Kerouac House, a non-profit dedicated to maintaining the house and Kerouacäó»s legacy.

More recentlyŒæCreative Pinellas Guest Editor Margaret Murray, a local film-fest trailblazer, Manager of Donor Development at the Museum of Fine Arts and all-around local scene sweetheart, started “On the Road” activities around the literary legend. Her bicycle tour,ŒæKerouac in Paradise, provides attention to biographical detail, ever surprising riders with special guests, inspiring reads and historical quotes — so go put some air in your tires and keep an eye for the next artsy bike tour.

But donäó»t think it is so easy to manage, Murray enlightened us through the interwebs on the complexities of bike touring:

äóìThe challenge, particular to the Kerouac ride, was how to bring St. Pete äóñ as it was during Kerouacäó»s time äóñ to life and keep it relevant to todayäó»s audience. Once I began poring through old phone books and past editions of the St. Pete Times (on microfiche!), a clear and sometimes odd narrative began to appear. Realizing that residents of 1960s-era St. Pete enjoyed multiple book stores and movie theaters, some showing French films, became an important focus of the tour, in light of both Kerouacäó»s interest in the arts and the demise of small businesses. A challenge for any mobile or street-based activity is, of course, Floridaäó»s ever-changing weather. One-hundred people on bicycles riding on city streets certainly adds an additional layer of complexity. Safety and comfort are the most important aspects of a ride; my partnership with the St. Pete Bike Co-Op has been invaluable in that regard. They bring a level of expertise to building a safe route and rider education that canäó»t be beat. The advantage is that youäó»re able to provide an element of fun to what is essentially a history lecture.äó

To stay on the literary wave, we must mention KEEP ST. PETE LIT, one of the newer literary organizations (started in 2013) but quite dynamic and with a strong local presence. They are teaching a low-cost writing program mainly at the Morean Art Center where they have created a äóìsmall curated bookstore called BookSpace.äó Maureen McDole and her team also lead a book club at the MFA and produce SunLit Festival in April. Without counting the multitude of literature programs, modern summer camps, open-mics and artistic partnerships, McDole features a number of roving events such as historic book tour in KSPL’s events calendar

In McDoleäó»s words: äóìWe partner with other organizations and businesses to create unique creative experiences of collaboration. This also allows our venues to be varied and our organization to be exposed to a wide variety of audiences. It creates a dynamic synergy of multiple creative elements. We love merging literature with other disciplines. That’s what happens when you read, and we translate that to life.äó

It’s worth mentioning tomorrow that KEEP ST. PETE LIT is partnering with the Metta Center of St. Petersburg for a silent hour and a half of reading and writing, phones and all other electronics will be confiscated momentarily, for a peaceful atmosphere. Best of all it’s free, but the center accepts voluntary donations.

We cannot forget Wordier Than Thou as a pioneer open-mic organizer and literary art supporter. They are presenting their Grand Central Lit CrawlŒæthat stops at several bars where authors read and hang out. Surely, it will be rock ‘näó» roll.

Another artistic bike tour worth mentioning, and we hope it comes back once the weather gets more predictable, isξTour de Shine РBike Mural Tour also led by St. Pete Bike Co-opξ and the SHINE St. Petersburg Mural Festival,ξ the non-profit had their second year in September.ξ Nothing better to illuminate the power of public art than a fun ride around all the new murals in St. Pete; some of them large and in plain view, some of them more hidden.

The idea of reading and interacting with art as a force of change is also a form of radical movement. Engaging with the community through a specific discipline — but also with others who may or may not share similar passions — mutates into rewarding collaborations with different ideas cross-pollinating and creating beautiful complex experiences, which might not necessarily hang on a wall but it stays in our hearts.












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